Specialties
2D/3D compositing using Nuke, NukeX, Keying/matting, green screen, blue screen, digital cosmetology, restoration and speed changes. Intergrating cg in to plates to full cg shots. Look Dev.
Experience
SENIOR COMPOSITOR Scanline VFX
At Scanline VFX, I contributed as a Senior Compositor on high-end, cinematic visual effects for a major feature film project. Working within a fast-paced production environment, I was responsible for crafting seamless, photorealistic composites, integrating complex 2D and 3D elements, and collaborating closely with CG, lighting, and roto/prep teams. My role included solving challenging technical and artistic tasks under tight deadlines, maintaining continuity across shots, and ensuring final deliveries met both studio and client expectations. I also provided creative feedback and support to junior artists and helped troubleshoot pipeline issues as they arose.
STAFF COMPOSITOR, We Are Royale -2021-2023
I was part of an amazing team of artists, designers to help create commercials, product demos. We pushed the envolope using all the tools to give our clients the best product we could deliever.
SENIOR COMPOSITOR, ARTEMPLE HOLLYWOOD, CULVER CITY, CA - 2014-2020
At Artemple I was a both a senior compositor and a resource to the visual effects supervisor and producer. I was tasked to manage other artists and provide solutions to their compositing problems.
COMPOSITOR, Blur Studio, CULVER CITY, CA - 2018
Helped Blur complete two projects. Completing shots on the full cg Spiderman trailer for Marvel. We also completed "Suits". Which was completly out of my wheel house but I learned so much from the great artists at Blur Studio.
COMPOSITOR, LEVEL256 VISUAL EFFECTS,LOS ANGELES, CA — 2011- 2018
My job at Level256 is to solve complex compositing problems using Nuke. I am available to help other artists solve compositing problems with their shots. Communicates with other vfx staff on status of compositing work, able to manage time effectively and give accurate assessments of the work load and the time required to final shots.
COMPOSITOR, DIGITAL DOMAIN 3.0, PLAYA VISTA, Ca — 2017 At Digital Domain I worked as part of a team to finish a huge show. I was tasked with finishing shots all by myself and as a team. One of the many strengths of Digital Domain is the team aspect.
SENIOR COMPOSITOR, COMEN VFX, SANTA MONICA, CA — 2014
At Comen I created composites both as a team and as a individual artist.
COMPOSITOR, 2G DIGITAL, BURBANK, CA — 2010-2011
I was hired to solve both complex compositing tasks and provide support to the producer and other artists. Providing bidding estimates and thoughts on how a shot would be completed.
COMPOSITOR, PROLOGUE FILMS, VENICE, CA — 2011
I was hired to tell a story with compositing. Which is one of Prologue Films many strengths.
COMPOSITOR, PACIFIC TITLE AND ART STUDIO, HOLLYWOOD, CA — 2004- 2009
This is where I learned problem solving and team effort. Everything Pacific Title did was done as a team. I touched everything from trailers to feature films. production fixes to big hero shots.
Skills
Expert knowledge of Nuke, as well as NukeX. Mocha. I have worked with Windows, Mac OS X, Linux. I have worked with both fTrack and Shotgun.