Really great portraits.
A new wave of brilliant invisible effects →
By Ian Failes:
The signature Jay Moriarity wipeout was achieved with a combination of real photography and a CG body and board replacement. It began with a real wave plate (later scaled up) that happened to have a master shot and a number of extra camera angles shot by second unit.
Some of the hardest compositing you will every do.
the vfx show #162: 2013 Oscar Preview Show →
fxguide.com:
Mike Seymour, Todd Vaziri and Matt Wallin discuss the five Academy Award nominated films in the VFX category and Todd Vaziri’s VFX Predictinator!
Don't think the Oscars are't important. They are.
#2.131 - Take Note, VFXers | Juan-Luis →
sent from: Esher, Surrey, UK. destination: Roanoke, Virginia, USA
At Rhythm and Hues, the company where I started my VFX career, they had a company meeting every Friday. This meeting was run, without fail, by the President of the company, John Hughes. He would go into detail about the company financials and cash flow in a way that I've never seen before or since. He'd take the opportunity to explain the low, low profit margins, how to pay off debts, what depreciation of equipment meant. He showed you exactly how close to going under we were constantly and in a good year you got 2-5% profits. When I told my father about this he said that surely John must have had other motives than mere education and besides, no good business can run on such low profits, surely the real numbers are different. I was too young at the time to counter him but 16 years later I can say confidently that John was (and remains) a unique and wonderfully unusual company president, truly concerned with his employees, and his numbers were correct. So, when the inevitable layoffs would occur from time to time, it was all well understood.
Sounds like someone else I know. Good people don't need reminding how to be good they just are. Nobody is perfect, that's not what I'm saying. I'm saying doing the right thing isn't something you should contemplate you should just do it.
Adam Green: The Spectacular Thefts of Apollo Robbins, Pickpocket : The New Yorker →
By Adam Green:
By now, a small crowd had gathered. Jillette removed his ring, put it down on the paper, unclipped a pen from his shirt, and leaned forward, preparing to draw.
The real magic.
NukeHotkeys for iPhone, iPod touch, and iPad on the iTunes App Store →
If your interested.
Silhouette v5 Teaser on Vimeo →
The Roto features look really cool.
VES Announces the 2013 Board of Directors →
By Jeff Heusser:
“To be elected the Chair of the VES is not only an honor but a responsibility to our artists to insure they are recognized for what they do,” said Okun. “The VES represents members in twenty-nine countries. These members are the artists that drive the industry to new heights, increase the ability to tell compelling stories, imagine new horizons and deliver the unimaginable. I will continue to shine the light and to look for new and better ways to have them recognized,” Okun added.
The Institutionalization of Displacement In VFX « VFX Soldier →
For those who are interested.
KATANA wins Academy Sci-Tech award | The Foundry →
The Foundry:
Sony Pictures Imageworks engineers Steve LaVietes, Brian Hall and Jeremy Selan created the software as an in-house lighting and scene management solution for Sony Pictures Imageworks almost ten years ago.