Going well

My mind has been going about 1000 mph. I have this thought that I can get a final on a v001. This never happens.

In visual effects there isn't a 85%. There isn't even a 99%. It's one hundred percent for final. Which brings me to my present state of mind. There is a joke about the last 10% is the hardest. How that is so true is beyond me but it is. There isn't a set of features they would like to see. It's all or nothing. You can't do a half face replacement. It's all or nothing.

Game on!

Have a good week everyone.

Rare Photo of Hiroshima Bombing Found in a Japanese Elementary School

DL Cade:

In an age where horrifying events are often captured from many vantage points, many times over, the magnitude of the find is easy to misunderstand. In reality, the photo is one of only two very clear photos that show the cloud in two tiers — the other was taken from the Enola Gay that dropped the bomb.

I have always been touched by this story.

Hardware History

Mark Mayerson:

People who entered the animation business in the recent past have lived totally within a digital world. But before computers, animation had its own set of very specific hardware, developed from the 1910s onward to facilitate the creation of cartoons.

Mark: used to explain sometimes how he would do the shot on a optical printer. When you are stuck in a box this made the shot seem much more simple.

GREEN SCREEN PLATES

hollywoodcamerawork.us:

It has always irritated us that there are no green screen and VFX plates around the internet you can just download and play with -- everything is owned by some production. So we decided to donate some of the interesting plates from Visual Effects For Directors to the community, so you can download them and practice keying, matchmoving, compositing, tracking, and much more!

These look to be great if you want to practice your keying. Sometimes its not a easy as it looks.

VES Announces Nominees for 11th Annual VES Awards

By Jeff Heusser

Los Angeles – The Visual Effects Society (VES) is pleased to announce the nominees for the 11th Annual VES Awards, which recognize outstanding visual effects artistry in 24 categories of film, animation, television, commercials and video games. Nominees were selected Saturday, January 5 by VES members at SPY/ a FotoKem Company in the Bay Area and at FotoKem in Burbank in California; and at Blue Sky Studios in New York, Weta Digital in New Zealand, Fuel VFX in Sydney, Molinare in the UK and Image Engine in Vancouver.

Just in case you missed it.

Scientific and Technical Oscars announced

By Jeff Heusser

BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences today announced that nine scientific and technical achievements represented by 25 individual award recipients will be honored at its annual Scientific and Technical Awards Presentation at The Beverly Hills Hotel on Saturday, February 9, 2013

This should be part of the main Oscar Show, It will never happen but it should. No movie can be made without These guys. Period!

10 films face-off at VFX bake-off

By Ian Failes

On Thursday night in LA, the 10 contenders for the visual effects Oscar were presented at the signature ‘bake-off’ event at the Academy of Motion Picture Arts and Sciences.

This is always a fun event. One problem, who gets off early enough to make it by 7:00pm. Many are just eatting at this time.

We’re Funded! So What’s Next? « VFX Soldier

VFX Soldier:

On of the first items is documenting the nuts and bolts of how subsidies work in the VFX industry. I’ll be working with contacts to get them this information but I’d also like to invite readers who have personal knowledge in this issue. If you feel you might be of help on this email me:

vfxsoldier@gmail.com 

I don't have high hope for this, prove me wrong. Please. The studios are not just going to let go of the this way of doing things. This is happening in production as well. Not just VFX. It's now ingrained in Hollywood. It's going to be hard for them to go back to paying full price for things.

Blood & Chrome: a possible VFX future?

By Mike Seymour:
Online there have been reports the whole 95 min final film cost only $2 million. This is not correct. “That is a myth I’d like to dispel,” says visual effects supervisor Gary Hutzel. “Originally when it first came out as a concept yeah someone said we’d like to do this for $2 million, but after a few weeks of talking about it that simply wasn’t enough to put together a proper crew. For that it would have to literally be shot in someone’s backyard,” he jokes. “That figure may have been where the studio started out but that was quickly not seen as an adequate budget.”

 

Big Year

I have been thinking about all the great work vfx artists have been turning out the year. When I say "artists" I mean just that. I'm not talking about the companies or supervisors. I'm talking about the artist now. It's fine that supers might have the last word but it's the artist that have to make that happen. It's all well and good that the sky needs to be purple but if us artist can't make it work it's for nothing.

This coming year lets show we are the movies. Lets step up and defend each others great work. Let us vote for each others work. Lets make them stand up and notice that Hollywood can't make any movie without us. Comedies need great looking car comps. Huge tent pole movies need Zombies. Non of this is shot practically. It's us match moving, adjusting color and timing. It's us that remove camera rigs and camera cars. It's us that help develop characters and animate them.

Visual effects as a whole needs to vote together. Studios are taking advantage of us being split on what to do. Some want a union. Some just want better pay. Some just want to see there families. We all want to do amazing work. Let's do that.

Roto and paint is just as important to the movies as huge stars that are on the screen.

Teach the juniors that are asking questions. Share. Do your work like your hair is on fire. I'm here because a group of artists showed me ropes and how this is done.

I love my job.

Happy New Year.

A hat tip to all of you who work weekends and stay late to make great stories come to life.