Visual effects society winners of 11th annual ves awards

by Jeff Heusser:

The 11th Annual VES Awards, recognizing outstanding visual effects artistry in 24 categories of film, animation, television, commercials and video games were held tonight at the Beverly Hilton Hotel. Nominees were selected Saturday, January 5 by VES members at SPY/ a FotoKem Company in the Bay Area and at FotoKem in Burbank in California; and at Blue Sky Studios in New York, Weta Digital in New Zealand, Fuel VFX in Sydney, Molinare in the UK and Image Engine in Vancouver. The host for the evening was Mark DeCarlo.

Congratulations to all.

Computer Graphics World - The VES Defined

By: Karen Moltenbrey:

The Visual Effects Society is the entertainment industry’s only organization representing the full breadth of visual effects practitioners, including artists, technologists, model makers, educators, studio leaders, supervisors, PR/marketing specialists, and producers working in all areas of entertainment—from film, television, and commercials to music videos and games.

 

The inside story behind Disney’s Paperman

By Ian Failes:

Motion fields – motion fields are created on the CG animation from which the final lines will be advected. These are rendered per-frame per-element with the result being each pixel in the image having a 2D offset. The effect of this is to describe where that point on the CG model will be in the next or previous frame.

 

A new wave of brilliant invisible effects

By Ian Failes:
The signature Jay Moriarity wipeout was achieved with a combination of real photography and a CG body and board replacement. It began with a real wave plate (later scaled up) that happened to have a master shot and a number of extra camera angles shot by second unit.

 

Some of the hardest compositing you will every do.

the vfx show #162: 2013 Oscar Preview Show

fxguide.com:

Mike Seymour, Todd Vaziri and Matt Wallin discuss the five Academy Award nominated films in the VFX category and Todd Vaziri’s VFX Predictinator!

 

Don't think the Oscars are't important. They are.

#2.131 - Take Note, VFXers | Juan-Luis

sent from: Esher, Surrey, UK. destination: Roanoke, Virginia, USA

At Rhythm and Hues, the company where I started my VFX career, they had a company meeting every Friday. This meeting was run, without fail, by the President of the company, John Hughes. He would go into detail about the company financials and cash flow in a way that I've never seen before or since. He'd take the opportunity to explain the low, low profit margins, how to pay off debts, what depreciation of equipment meant. He showed you exactly how close to going under we were constantly and in a good year you got 2-5% profits. When I told my father about this he said that surely John must have had other motives than mere education and besides, no good business can run on such low profits, surely the real numbers are different. I was too young at the time to counter him but 16 years later I can say confidently that John was (and remains) a unique and wonderfully unusual company president, truly concerned with his employees, and his numbers were correct. So, when the inevitable layoffs would occur from time to time, it was all well understood.

 

Sounds like someone else I know. Good people don't need reminding how to be good they just are. Nobody is perfect, that's not what I'm saying. I'm saying doing the right thing isn't something you should contemplate you should just do it.